ze frank :: dealing with rejection
For anyone who is dealing with being rejected. Shaking the knot.
Here’s to pushing my upper limits. Bring it on 2013.
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Home on the Farm
“Beauty, which I admit to being in pursuit of, is an extremely suspect word among many in the art world. But I don’t think you can get along without it. It’s the confirmation of meaning in life.”
—Robert AdamsRobert Adams, our current 100 Artists featured artist, is seen here taking photographs in the areas surrounding his northwestern Oregon home and studio. This scene is featured in the Art in the Twenty-First Century Season 4 episode, Ecology (2007).
WATCH: Robert Adams in Ecology [available in the U.S. only] | Additional videos
PHOTOGRAPHS: Kerstin, next to an old-growth stump, Coos County, Oregon (detail, 1999–2003; From the series Turning Back) and Southwest from the South Jetty, Clatsgo County, Oregon (detail, 1990–1995; From the series West From The Columbia). Courtesy Fraenkel Gallery, San Francisco and Matthew Marks Gallery, New York. © Robert Adams.
IMAGES: Production stills from the Art in the Twenty-First Century Season 4 episode, Ecology, 2007. © Art21, Inc. 2007.
Um, yes.
Chinese artist Cai Guo-Qiang makes his mark with gunpowder
I always love looking at Cai Guo-Qiang’s work. It is really cool to see behind his process in the last picture.
Mark is a fundamental human trait and the basis of drawing. Marks come about from everything we do. They have a great power to talk about us and our life. In an age of digital identity, what is our Mark?
For full viewing of the piece, please download and loop in your media player.
journal.jseth.net
Glad to see people are enjoying my work. There will be more to come this fall! Check back in a few months!
(via an-or-duss-46)
This is amazingly done. I can’t stop listening.
Wonder
I just finished reading an amazing article in the latest ArtForum about my favorite director, Terrence Malick, by James Quandt (content coming to the web June 1). I was roped in my the name on the cover and enticed by Malick’s beautifully sublime images.
Honestly, I did not even read the title for a few minutes. I was taken up in some of my favorite compositions and experiences of film. At first I thought it was about the “Embracement of Riches”. A few sentences in, I realized I was wrong. Actually, I was completely wrong.
I am not offended or upset by what Quandt puts forth, I am genuinely grateful. Even though he equated my favorite director to my least favorite painter of all time, he is raising some really great questions about Malick and filmmaking in general: Has Malick’s images become so cookie cutter in his own work that they have become a parody of themselves? What does it mean to copy an aspect of a film and repeat it for a very similar effect? Being a student filmmaker - and having many of those director-crushing film student friends - I see the tendencies in those who are learning to mimic and copy a style. Many here are even known for it.
I heartily embrace learning through copy and encourage this practice personally. It is how creative learning has been done for centuries and has been producing great artists who have successfully graduated from learning and found their own voice. Ze Frank talks about all of this in one of his recent episodes (~2:30) and really hits nicely on the evolution from learner to master. Now this seems a little bit off point - I mean we were talking about an article not the learning process, right? Let me pull it all around and show you the biggest thing I took away from the article.
Quandt, in short, puts forth that Malick has lost his luster. Though his early films set the stage to tell as story really, really well, the last four seem to reference the same shots in a negative way. Basically, Malick is loosing his contribution. What he has to say is nullifying the effect of his previous work.
As an artist, I have to completely disagree. The Creative Kind makes their life by repeating what they know and then venturing out to change a thing or two. There is a reason painters and graphic designers can be seen in their body of work. As long as one is truly working at their craft and analyzing each situation, there is nothing wrong with repeating a style, or even artistic element, in order to effectively complete your piece.
I highly recommend this article to everyone - especially those who are fans of Malick.
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7 Marks (04/25/13 Ed.) from Seth Van Der Eems on Vimeo.
Mark is a fundamental human trait and the basis of drawing. Marks come about from everything we do. They have a great power to talk about us and our life. In an age of digital identity, what is our Mark?
For full viewing of the piece, please download and loop in your media player.
Lawrence of Arabia (1962)
Golden Sea
This looks absolutely wonderful. I wish I could visit the premiere in NYC. How does life and art come together for the benefit of everyone on the planet? And how do we recognize the Beauty around us in order to preserve and champion it?
Know were you stand: Modern Day Locations blended with Major Historical Events by Seth Taras
1. The Hindenberg Disaster of May 6, 1937
2. Allied soldiers rushing the beach at Normandy in June 1944
3. The Fall of the Berlin wall in 1989
4. Adolf Hitler touring Paris and standing in front of the Eiffel Tower in 1940
These are incredible.
(via pbsthisdayinhistory)